WHO: Neal Stimler, Digital Asset Specialist, Metropolitan Museum of Art
BIO: Neal Stimler takes an interdisciplinary approach to humanistic praxis in the cultural sector informed by art history, digital technology, museology and sociology. He is a creative strategist with experience in collaborative leadership, content management, metadata standards, product demonstration, project management, trend forecasting, user training and workflow design.*’*
“This week I had the pleasure of interviewing Neal Stimler, who graciously agreed to help us kick-off our Guest Contributor Series. We met at a #drinkingaboutmuseums event, which I highly recommend if you like beer and making new museum-minded friends. As we discussed museums, revenue models, startups and Harlem-life, he casually mentioned that people might be interested in reading museum recommendations from other people who know, love and care about these sorts of things. A light bulb went off in my head and a few moments later The Guest Contributor Series was born. Our conversation and Neal’s recommendations follow below” – Chrissy
C: For someone so entrenched in the museum world, this is probably too simplistic of a question, but we’ll give it a go anyway, what is your favorite museum memory?
N: I am fortunate to have many special museum memories. I’ll always cherish the summer of my first internship at The Metropolitan Museum of Art in 2005. My fellow interns and mentors from that period greatly inspired my career and life.
C: What is your favorite museum? I bet I know the answer.
N: The Metropolitan Museum of Art
C: What was the last museum that you visited?
N: I recently visited the New Museum to see “Nicole Eisenman: Al-Ugh-Ories,” which is on view till June 26, 2016. I was deeply impressed by Eisenman’s knowledge of art history as manifested in the artworks, versatile skill working between mediums and a sensitivity to the complexities, colors and contours of the human condition. Eisenman was awarded a MacArthur Fellowship in 2015 – that level of artistic achievement is clear to me when experiencing her work.
C: I don’t think it’s any coincidence that a lot of museum lovers live in NYC, what’s your favorite NYC experience?
N: Not surprisingly, visiting the amazing museums in this city and especially sharing these experiences with my dear colleagues and friends.
C: Let’s keep going with this NYC line of questions for a moment…favorite NYC brunch option?
N: For a memorable brunch make a reservation for the Robert restaurant which is atop the Museum of Arts and Design in Columbus Circle. You’ll have a delicious meal, incredible view of the city facing uptown and Central Park. Plus, you and your guests can buy tickets and explore the museum galleries as well.
C: Most romantic NYC recommendation?
N: New York City presents many romantic spots. I gravitate to fine dining, museums and the performing arts when seeking to celebrate life and special occasions. Use sites like Uzeeum to find the event that inspires you and your special someone.
C: Last one, which NYC museum do you typically recommend to out-of-towners?
C: Just for giggles, I would love to know what you are reading right now?
N: I’m currently working my way through the writings of Friedrich Von Schiller and at present I’m focused on “The Essays on the Sublime: On Beauty, On Grace and Dignity, On The Sublime”
C: Last question, which museum is on your bucket list?
N: I’d very much like to visit museums in London, England, Dublin, Ireland, Vienna, Austria and Saint Petersburg, Russia! So many museums yet to experience. Here’s hoping opportunities for travel and collegial collaboration in the future.
C: Neal, thank you so much for your time. I certainly appreciate it.
N: My pleasure.
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PHOTO CREDITS & DISCLAIMERS
*Moholy-Nagy, Space Modulator, 1939-45. Oil and incised lines on Plexiglas, in original frame. Plexiglas: 63.2 x 66.7 cm; frame: 88.6 x 93 cm. Solomon R. Guggenheim Museum, New York, Solomon R. Guggenheim Founding Collection © 2016 Hattula Moholy-Nagy/VG Bild-Kunst, Bonn/Artists Rights Society (ARS), New York
**Unidentified French makers. Milliner’s heads (three), 1820–70. Red pine; painted papier-mâché; wood, largest height: 17 in. New-York Historical Society, Purchased from Elie Nadelman, INV.8708, INV.8709, and INV.8707
***Stuart Davis (1892–1964), Owh! in San Pao, 1951. Oil on canvas, 52 3/16 × 42 in. (132.6 × 106.7 cm). Whitney Museum of American Art, New York; purchase 52.2. © Estate of Stuart Davis / Licensed by VAGA, New York, NY
*’*Disclaimer: The remarks herein are the personal views of Neal Stimler and do not necessarily reflect the views of The Metropolitan Museum of Art.